Branded into the synskin, the ghostly silhouettes of men, women and children are interwoven with vertical gestures that allude to spinal columns. The modeling of the bodies is the result of gentle applications of powdered pigments, iron glimmer and adobe manipulated by compressed air. In contrast the gestural forms are executed in calligraphic applications of charcoal and acrylic. These subjects are transitioning from the carnal to the spiritual.
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